New Orleans Review

rom a very Ogden-y room with blue-grey walls, small, oldish framed paintings from the American South, I can see some kind of large, glittery triptych/window-object in the corner of the darkened gallery next door. I can hear it too; there is an audio track, not music or voices, but sounds. I am here for a third time to see Dave Greber’s solo exhibition The Casebearer at the Ogden Museum. Stepping into the first room of his three-room exhibition is a but like stepping into another dimension.