• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

New Orleans Review

Since 1968

  • home
  • Latest Issue
    • Art
    • Essays
    • Poetry
  • Past Issues
  • Book Reviews
  • Art
  • Interviews
  • Archive
    • Poetry
    • Fiction
    • Essays
  • About
  • Submit

Main Content

Testimonies written by Iranian Female Composers Association (IFCA) members inside of Iran

ANONYMOUS #1

1. How do you evaluate your career as an Iranian female composer/singer in Iran?

As a female composer, I must work harder to establish my artistic work. As a composer in general, in the Islamic Republic of Iran, …

Latest Book Reviews

I Kissed Shara Wheeler

Reviewed by MaKayla Tappin

Scale Model of a Country at Dawn

Reviewed by Ruby Zlotkowski

At the End of Everything

Reviewed by Kenzie Donovan

Hello, Molly! – Asia Edit

Reviewed by Ella Cheramie

The Teller of Secrets

Reviewed by Karin Suter

VISIT THE BOOK REVIEW ARCHIVE

Village Disco

Philip Guston in the Studio with a photo of Kafka on the wall. The painting “Studio landscape” has just been finished. Must be dawn.

The Anecdotal History of Art (According to Matthew Collings), Part 2: ThreeGhosts

Art Column By Emily Farranto

...Every artist who has spent a long night in the studio knows that eventually, the ghosts will come.

The traditional version of Art History taught at university posits a timeline, delineating eras that contain advancements in technology, named movements, and the introduction of new “isms.” Artists are born, work, and die on this timeline, the sum of their life in art summarized in an image or two. Matthew Collings’ version of art history is different, focusing on the artists more than the art, the specific rather than the vast, and the personal rather than the academic. The setting in many of his drawings is the studio, the place where art is made, rather than the church, palace, gallery, or museum.

Primary Sidebar

Connect with NOR

  • Email
  • Facebook
  • Instagram
  • Twitter

Call for Submissions

Call for submissions for issue #51, as well as our poetry and micro essay contests. Learn more and submit your work here.

New Orleans Review is delighted to announce the publication of its first book, Interviews from the Edge: 50 Years of Conversations about Writing and Resistance
(Bloomsbury 2019).

Visit the Digital Archive of NOR Print Issues, 1968-2019

Footer

  • About
  • Current
  • Archive
  • Submit
  • Email
  • Facebook
  • Twitter
Loyola University logo
Copyright © 2023 · New Orleans Review
title illustration by Guen Montgomery · site by MJG