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Nathan C. Martin

Rachel Kushner: I’m not sure there is a clear distinction between “to communicate” and “to monologue”

Interview, Room 220 by Nathan C. Martin

{From Press Street’s Room 220}

Like any historical novel—even one set in recent history—Rachel Kushner’s The Flamethrowers is a convergence of the past and the present, the time before now rendered with the help of research but intrinsically influenced …

Nathaniel Rich: None of the Bad News is Made Up

Interview, Room 220 by Nathan C. Martin

{From Press Street’s Room 220}

Someone quipped at last weekend’s Tennessee Williams Festival that Nathaniel Rich’s new novel, Odds Against Tomorrow (FSG, 2013), was the best Katrina book set in New York City. This observation conceals a degree of …

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Call for Submissions: Special Issue on Iran

Call for submissions by Iranian women (trans & non-binary inclusive) writers. Learn more and submit your work here.

New Orleans Review is delighted to announce the publication of its first book, Interviews from the Edge: 50 Years of Conversations about Writing and Resistance
(Bloomsbury 2019).

Visit the Digital Archive of NOR Print Issues, 1968-2019

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