• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

New Orleans Review

Since 1968

  • home
  • Current Issue
    • Poetry
    • Interviews
    • Essays
    • Fiction
  • Past Issues
  • Book Reviews
  • Art
  • Interviews
  • Archive
    • Poetry
    • Fiction
    • Essays
  • About
  • Submit

Art Column

Giant: Artem Humilevskiy in Ukraine

Art Column by Emily Farranto

I woke at 5:45 a.m. to a new message asking if we could meet on video in thirty or sixty minutes. The message was timestamped 4:53. I got up quickly and messeged back that I could be ready in ten minutes. Artem apologized for forgetting the time difference. I’m in New Orleans; he is in the countryside in Ukraine after fleeing the city of Mykolaiv with his family. We had been communicating through Instagram Messenger. I asked if we could meet on video just to say hello, to put a face to the messages, though I knew his face pretty well by then. 

Love Letter On To Loose-Leaf

Art Column by Emily Farranto

It’s nostalgia, tangible, analogue, the way I feel about loose-leaf paper. Let’s broaden this to include spiral, graph, and legal as well as global varieties of lined paper. For me, looseleaf is the mixtape of office supplies.

Let 2022 be the Year of the Studio Visit

Art Column by Emily Farranto

I drove out toward the lake and onto the UNO campus where artist Dan Rule teaches and has his studio. The curb was kind of painted yellow, but not really. I parked, walked across the lawn to the art gallery and went inside. I sent a message to Dan that I had arrived. We had never met in person, so I compared the couple of faces that passed with the tiny circular image of his Instagram profile. “I’m Dan,” he said and the awkward pandemic moment (mask? handshake?) passed quickly. We left the gallery through a different door and crossed a small leafy courtyard. One of my New Year’s resolutions is to seek out more studio visits. I appreciate being in new spaces and studio visits can be a healthy, free, New Year’s resolution compatible way to find myself in them.

These Were a Few of My Favorite Things

Art Column by Emily Farranto

As 2021 comes to an end, I have been reading lists, Jerry Saltz's The Best New York Art Shows of 2021 in Vulture and Hyperallergic's The Best of 2021: Our Top 10 United States Art Shows to name a couple, and they gave me a little retro-FOMO. I wish I had seen more art, travelled more, as always. I made a list of my own memorable encounters with art (beyond those I have already written about here.) Not so much a best-of list, my list is an argument for taking art personally and how, in many forms, it comes to meet you where you are. 

This Haunted House: Dawn DeDeaux at NOMA

Art Column by Emily Farranto

About a week before I saw Dawn DeDeaux: The Space Between Worlds, at The New Orleans Museum of Art, Liza, who is fourteen years old, told me she had gone to a haunted house with her friends. A memory surfaced...

Spray It; Don’t Say It

Art Column by Emily Farranto

Lately I have been noticing spray paint and thinking about spray paint. It might have it started on Instagram, scrolling through images of paintings and noticing marks made in sprayed paint alongside marks made with the more traditional brush. Spray paint on an otherwise traditionally painted canvas can be a statement of irreverence, a disruption, a small revolt...

Where Were You Then?
Holding Time in NYC

Art Column by Emily Farranto

I wasn’t in New York to see Holding Time; I was in New Orleans. I saw the show on a one-on-one video tour with Z Behl, the artist and filmmaker who organized the exhibition. The seventeen participating artists were children in close proximity to the World Trade Center on September 11, 2001. Holding Time was an invitation to these artists, several who were friends attending Stuyvesant High School, to articulate, commemorate, and share their personal experiences and lasting impressions of this global event.

Where Do You Belong? The Paintings of Enrique Martinez Celaya

Art Column by Emily Farranto

The Confession - Enrique Martinez Celaya, 2012I was standing in the viewing room of Jack Shainman Gallery in front of a large painting by Enrique Martinez Celaya. The painting showed a shirtless adolescent boy holding up a dead rabbit. The figure was looking directly at me. I wanted to look and I wanted to look away. A second large painting depicted another boy (or man?) with similarly intense eye contact. There is something straightforward about Martinez Celaya’s work, something ultra-sincere, but there is also something reluctant, held back.

If You Build it, Will They Come?

Art Column by Emily Farranto

The first art opening I attended last spring after the long lockdown was at Wading Room Gallery on Alvar Street, a new and temporary space created by Peter Hoffman and Ryn Wilson. Though I usually avoid openings, I wanted to support the new project, was curious to see what was there, and maybe just needed to get out of the house. This event and gallery, a garage and surrounding lawn, got me thinking about the spaces–current, past and future–to see art in New Orleans.

Virtually There: Looking at Art from a Distance Part 3

Art Column by Emily Farranto

Carmine Cartolano, an Italian artist and writer, has been living in Cairo for twenty-one years. After a couple of email exchanges, Carmine and I met on a Zoom call in March. We talked about the pandemic and how it has affected our work, and life in our respective locations.
« Previous Page
Next Page »

Primary Sidebar

Connect with NOR

  • Email
  • Facebook
  • Instagram
  • Twitter

Call for Submissions: Special Issue on Iran

Call for submissions by Iranian women (trans & non-binary inclusive) writers. Learn more and submit your work here.

New Orleans Review is delighted to announce the publication of its first book, Interviews from the Edge: 50 Years of Conversations about Writing and Resistance
(Bloomsbury 2019).

Visit the Digital Archive of NOR Print Issues, 1968-2019

Footer

  • About
  • Current
  • Archive
  • Submit
  • Email
  • Facebook
  • Twitter
Loyola University logo
Copyright © 2023 · New Orleans Review
title illustration by Guen Montgomery · site by MJG