“I am not entirely opposed to madness, not when it comes with this kind of clarity.”
― Akwaeke Emezi, Freshwater
When I heard New York Times art critic Holland Cotter speak at Tulane several years ago, he said something like, …
Emily Farranto
The Problem of Pain: Meditation Patterns by Matt Vis
When you first see the photographic constructions artist Matt Vis calls “Meditation Patterns,” you will probably not think, Ah, this is art about pain. These are not illustrations of pain, like many paintings of Frida Kahlo, Edvard Munch, or …
What Does a Stingray Mean?
In a post-Christmas torpor, a kind of sensory malaise, I found myself recalling that a year ago I was at the Metropolitan Museum of Art. Now, lying on my living room floor in the doldrums …
Hindsight is 2020
Hindsight is 2020
My Top Ten Nine Art Experiences of the Year
It’s a tradition to end the year with Top Ten lists. Artforum dedicates its December issue to reviewing the year in film, music, and art. The New York …
The Mail Gaze: Art and the Postal Service
In 1995, the summer after I graduated from college, I received my first envelope from a stranger named Pascal Lenoir. Inside the tan Euro-style C5 envelope was a collection of original artworks varying in size, subject, and texture. Several were collaged and many included text and rubber stampings. This was the curatorial mail art project of Pascal Lenoir. I received my last Mani-Art envelope in 2000, the year I began an MFA program in painting and then I pretty much forgot about mail art until now.