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New Orleans Review

Since 1968

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Poetry

Sixty Seconds in the Body of a Cyborg

52, Poetry by Zaynab Bobi

a dead body shapeshift into a cyborg to look for his lost body with these details: 

                     facial appearance; a black face snowing with flickery smile.

                     country; a place where oceans swell from music of blackness peeling its skin. 

                     last seen; …

Aubade For A Body Bejewelled With Napalm (after Romeo Oriogun’s “Invisible Man”)

52, Poetry by Nnamdi Ndiolo

I must be a god the way I keep tiptoeing out of death, 
like the miracle of clouds fleeing the sky.

My palms spread out in prayer like the legs of a cheating wife:
Father, take this cup of suffering …

Field 38 & Field 53

52, Poetry by Alex Tretbar

Field 38

Because the physical infrastructure can no longer be used to die
by suicide. Because you thought that the birds were robins until
you looked up. Because the mountain trail (you can see it from
here) is broken into …

Calvary & Self-Portrait

52, Poetry by Danielle Kotrla

CALVARY

John Baldessari, Hegel’s Cellar, 1986

That thick blue line of painter’s tape might as well be holding everything up. The only fact
             from the figures,
not the riders lost on top of their horses nor the horses themselves, …

Someday, I identify as a Prairie

52, Poetry by Nnadi Samuel

Glory be to the improper plot: this acre of hand tilled hibiscus 
& the dying raven that slants midway, in collapsed grace.
I am thankful for everything that lays chaotic. jagged landmass. 
raked mess of depression, inversely proportional …

THERE IS SOOT IN YOUR NOSE, A FIRE AT YOUR DOOR, A NOOSE IN YOUR BED

52, Poetry by Maud Acheampong

I. america, the dead star, the rotted plum, the leather fingers ‘round Your
neck


Maud Acheampong (they/them) is a Ghanaian-American New Media Performance artist interested in soft technologies like misery, ugliness, nostalgia, monstrosity and the way they manifest in our …

Score III // Litany of Torture

51, Poetry by Sophia Terazawa

At the museum is a bronze dagger hilt presented as a fragment
looted before any god bound pleasure to books. You swam north.

We had questions. Quickening were years between war then
rumors of people packed into a cave, singing. …

At the Mention of Grief: All Queer Confess

51, Poetry by Nnadi Samuel

Lust as corporal punishment, implies we kneel on each other for pleasure.
boy: a gadget I stomach on sighting my father watch me pull the least
non-binary stunt I’m capable of.

I— double-edged pronoun, perishable filth
Pa tells me— ‘snithe …

…and, Joan Crawford left her daughter & lucency

51, Poetry by Allison Whittenberg

… and, Joan Crawford left her daughter 

nothing 
in her will, 

not even
               
a wire hanger.


lucency 

amongst a breathless, debilitating,
incapacitating, 
panic attack
i
told
myself
not …

Woman, Bird, Star & Brown sun and house top

51, Poetry by Kirsten Kaschock

Woman, Bird, Star

I closed myself within myself purposely.

The first method by which I tried to contain
miracles was to bind them to me with bandages.
I saw how the rest were living, under canary
yellow skies. But not …

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Museum of the Soon to Depart

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