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50

Iran Issue

50, Issues by Naz Riahi

The Hidden SenseContributors: Azin Seraj, Pegah Pasalar, Sabrina Mansouri, Parisa Karami, Elma Hashemi, Jenny Sadre Orafai, Mehrnoosh Torbatnejad, Leila Sayedzadeh, Nastaran Ahmadi, Iranian Female Composers Association (IFCA), Leila Gharagozlou, Mitra Parineh, Naseem Jamnia, Mojgan Ghazirad, Nina Ruth Mir

Ode to the loghmeh

50, Poetry by Mehrnoosh Torbatnejad

Not quite a morsel or a nugget,
not a hint or a nibble or slice or shred,
not a scrap or a snack or a grain or a crumb,
not even a hunk or a chunk or a taste or …

Nationhood / Woman / Unicorn

50, Art by Sabrina Mansouri

Sabrina Mansouri - Nationhood
Nationhood

“Nationhood” represents the new martyrdom of women to the state or literally into the lion’s mouth of the Patriarchy. It sacrifices the freedom and liberty of women for the power of the Country, as her head enters into the …

The Hidden Sense

50, Art by Elma Hashemi

The Hidden Sense

“The Hidden Sense” is a collection portraying women giving birth to a new era by rising from their own ashes. Hidden sense is a series of mixed media on canvas paintings narrating messages through different materials and forms.  

Heavily inspired …

Third Person, or Nastaran Ahmadi writes personal essays about Nastaran Ahmadi

50, Essay by Nastaran Ahmadi

In November 2021, I endeavored to write at least 1600 words every day for a month without limiting myself to any one form. I had a story I needed to tell, but I was unclear on the “how.” What came …

Testimonies written by Iranian Female Composers Association (IFCA) members inside of Iran

50, Essay by IFCA

ANONYMOUS #1

1. How do you evaluate your career as an Iranian female composer/singer in Iran?

As a female composer, I must work harder to establish my artistic work. As a composer in general, in the Islamic Republic of Iran, …

Kesi gir dad?

50, Essay by Leila Gharagozlou

It’s the first question I ask my friend as she meets me at Food Court, the new hot spot located inside the Jam-e-Jam shopping complex and, as the name says, a food court in Tehran. It’s the first of its …

The Rose Generation

50, Essay by Mojgan Ghazirad

All the past years I had visited Molana Rumi in Konya, I had never heard of that house. I knocked and a young woman with long, black hair opened the door for me. Not surprised by strangers, she welcomed me …

Wrong Syntax

50, Essay by Mitra Parineh

I cannot say anything straight about Iran. I use small words, simple, but the ideas come out twisted up, like a pair of French pantyhose the women wear to mehmoonis, then pull off in relief as the night ends; unzip the dress, …

Farsi is killing me

50, Essay by Nina Ruth Mir

temp

I grew up in Tehran, where Farsi is used everywhere. It’s also my mother tongue. I scored high in the Farsi literature section of Iran’s competitive national university entrance exam. I think Farsi sounds as pretty as French. If more …

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